Natural Hair Dye - Indigo & Henna Powder

Niilas

Natural Hair Color

You are having grey hair, and fear about chemicals(PPD, Ammonia,  Etc) in hair color products available in the Market. We have a good news for you. We introduce a product without chemical, 100% Free Natural hair color from HENNA and INDIGO plants.

HENNA AND INDIGO

Henna leaves powder and Indigo leaves powder are generally considered safe for people. Who are allergic to chemical dyes.
This kit has absolutely no synthetic Dyes of Synthetic Chemical
of any kind. It has only Natural Plant powder

• NO AMMONIA
• NO PPD(Para Phenylene Diamine)
• NO CHEMICALS

TWO STEP DYEING PROCESS

Step : 1 Henna

Mix Henna powder with water to make a paste and keep it in 

room temperature for 8-12 hrs. then apply henna paste on your 

Grey hair and leave if for 2-3hrs, then wash with normal water 

you will get Reddish Brown hair

Step : 2 Indigo(Black)

Next day or same day you can apply indigo.

    Mix Indigo Powder with water to make a paste then immediately 

you have to apply on henna dyed hair, leave it for 2 hrs, then 

wash with normal water. After Oxidation of 6-12hrs. You will 

get soft black hair color.

Note : Do not Use Shampoo for 24-48hrs 

after applying our product.

Review: Demonte Colony is a gripping tale of horror

Director Ajay Gnanamuthu’s Demonte Colony is a crisply written, well executed horror thriller that will keep you glued to the screen, says S Saraswathi.

After a slew of romantic comedies, Tamil cinema seems to have turned to horror films for entertainment. 

Horror liberally laced with comedy has been the biggest attraction, drawing in the family crowd, making the films instant successes. 

However, Ajay Gnanamuthu, a former associate of A R Murgadoss, has chosen to stick to pure horror for his directorial debut, Demonte Colony.

Arulnithi, who was last seen in Chimbu Deven's Oru Kanniyum Moonu Kalavaanikalum, plays the lead. 

The film is inspired by real life events centred around a supposedly haunted colony in Chennai called De Monte Colony. 

For more than a century, this colony at the heart of the city has been deserted owing to the many strange tales surrounding its tragic past.

The colony is supposed to be haunted by its previous owner, a rich Portuguese businessman by the name of De Monte. 

It is believed that De Monte's wife was mentally unstable and his only son died under mysterious circumstances.  Director Ajay adds some salt and spice to these incredible rumours to concoct a gripping tale of horror.

One rainy night, after some heavy drinking and fun at a bar, four friends - Srinivasan (Arulnithi), Vimal (Ramesh Thilak), Raghavan, and Sajith - decide to visit the De Monte Colony for some thrills.

The place is dark, deserted and spooky and after some goofing around, the four return home.

Though the visit seems harmless enough, one of the friends, Raghavan, has an ulterior motive. 

He has knowledge of a unique gold chain with precious stones made by De Monte for his much-loved wife that is believed to be somewhere in the ruins of the colony. 

When he shows the expensive jewellery to his friends the next day, they are stunned. They agree to help him sell it and share the money. 

But De Monte wants his precious possession back.  The thrilling second half is all about whether Srinivasan and his friends can survive.

The film moves at a slow, deliberate pace, keeping you involved with the characters and their predicament throughout.

Arulnithi gives a good performance and Ramesh Thilak adds a tiny bit of humour, but what stands out are the excellent writing skills and narrative technique of the debutant director. 

He is well supported by a superb technical team comprising Santhosh Sivan's assistant Aravind Singh and a stunning background score by popular guitarist Keba Jeremiah.

Almost entirely shot in a single room with no gruesome ghosts or unnecessary build up, the director has skilfully created the eerie atmosphere, with incessant rain, a subtle aura of menace, unsophisticated characters and underlying hint of truth. 

The film is undoubtedly a fine attempt by the debutant director. 

Definitely worth a watch. 

'Masss' Movie Review

Director: Venkat Prabhu

Rating: 2.5/5

Suriya is no do-gooder in the film as he possesses the embodiment of a Venkat Prabhu hero. Then what does he do with Prabhu’s regular Premgi? Suriya and Premgi, for the first couple of minutes, invest their screen time on cheating people (mostly outlaws). The first twist is established when a crippling assignment goes awry. This is where the supernatural element kicks in. The supernatural bits are funny to a point, where even when they get monotonous, the laughs come out naturally. But too many elements used to concoct the screenplay of ‘Massu Engira Masilamani’ puts a dampener on the proceedings.

Somewhere in the middle of the director’s orchard, Suriya finds time to fall in love with Nayanthara, escape death twice, crack jokes with his best friend Premgi and shake a leg to Yuvan’s music. If ‘Mankatha’ had Ajith Kumar playing a villain, who didn’t give a hoot about his persona; in ‘Massu’, Suriya plays a man who transforms from being a cheat to a man of dedication. Suriya’s double role adds to the jingle in the narration. Subtle changes in the facial features of the two roles, played by Suriya, definitely work in the favor of the film.

There’s a fundamental mistake in ‘Massu’ which could have easily been avoided had the team peeked into the screenplay before turning on the camera. There are a handful of dead people whose souls have lost the sense of touch, yet the bunch of lost souls begin to scare the hell out of living people by shaking up the interiors of their houses. In one scene, two ghosts move a chapati roller and in another scene a ghost cannot touch money. This idea wouldn’t have sounded intelligible on the paper itself. How did this angle go up on the screen?

Prabhu’s twists pop out at regular intervals. Nayanthara and Pranitha have just a little more than their names to contribute to the film. Samuthirakani and Parthiban try to do justice to their roles within the squares drawn by the director. Karunas, Sriman and the rest of the ghost gang are funny indeed. While at some places the director takes all the time in the world to draw a few laughs (conversation at the bar); in some places like the ending, it seems rushed.

Though, there are several things happening in the movie, the setup of this supernatural thriller gets shrunken by inches as it tries to play to the gallery, in various places.

Poda Podi Review

Poda Podi (U)

Language:  Tamil     
Genre:  Romance
Synopsis:  The biggest dream of dancer Nisha (Varu Sarathkumar) is to win a dance reality show. When she meet animations artist Arjun (Silambarasan), their priorities in life clash.

Staring: 
Silambarasan, Varalaxmi Sarathkumar, VTV Ganesh, Shobhana
Director: 
Vignesh Shiva
Music Director:  Dharan Kumar
Duration:  2 hrs

Review

Director-writer Vignesh Shiva's urban romantic comedy may have been long in the making but is perfect foil for the season's biggy 'Thuppakki'. 'Podaa Podi' is a light tale about the love-hate relationship between Nisha and Arjun. Aptly set in London, debutant Vignesh gives us a broad picture about the clashes between a highly conservative Tamil man and a broad-minded NRI woman. The movie is well acted and shot, and even though the screenplay is wafer-thin, it keeps the audience going as the laughs keep coming.
New face Varalaxmi Sarathkumar comes out with a decent performance as the chirpy and chatty Nisha, and proves her flexibility as a dancer. Silambarasan comes out well as usual and shows off his prowess as a 'kuthu dancer' (as a chapter in the movie is titled). He also gets his share of thrills, but goes overboard by making fun or taking lines or enacting characters out of his earlier movies.
Ganesh, a staple in all Silambarasan movies since 'Vinnaithaandi Varuvaayaa', evokes laughter as Arjun's uncle. He mumbles more English than he actually speaks, but this is exactly what make him hilarious. Shobana, though, has little to do as Nisha's guardian.
Duncan Telford does a good job behind the camera, and the shots which look best come when the couple stay apart. Dharan Kumar has composed okay songs, but the one that stands out is the title track 'Podaa Podi', which has been doing well on all radio stations.
Podaa Podi is strictly a movie for youngsters. The story is lopsided at most times, titling towards the man's point-of-view. It might win loud applause in the theatres, but it is doubtful as to how many viewers will support it otherwise.

Thuppaki Review

Vijay‘s films have not been doing well  since Pokkiri,Villu.
Nor had Murugadoss’s from Ghajini.

                                       Vijay in Thuppaki.

The recent Deepavali release ‘Thuppaki’ has brought cheers both to Vijay and Murugadoss.
I doubt whether any Indian Film has done as much work as Murugadoss in this Film on ‘Sleeper Cells’
The concept of ‘Sleeper Cells’ have been well-explained and the use of ordinary people being used as ‘Sleepers ‘ have been brought out excellently.
The planning of the Terrorist and the measures taken by Vijay to counter the Terrorist’s plan  are intelligent.
For a change in Tamil Films, the Hero his grey cells, instead of mere brawn.
The screen play is tight, excepting the first half where the narration is slow and there are as many as three song sequences in rapid succession.
But for the last ten minutes , the first half drags on.
However the second part is packed with action and intelligence.
The film is logical  as far as films go.
Murugadoss pays attention to details to such an extent that you find a plaster in Vijay’s hand in the last few frames where he fractured himself in a fight, this is a rarity in Tamil Films.
Dialogues are natural.
The songs are in the films seem to be forced and do not seem to jell with the flow(come to think of , which songs in recent  Films fit with the flow!)
As to Music Harris Jeya Raj churns out his stock.
The clever use of the crowd whistling and cheering in Vijay’s introduction scene is so good that I was turning around in my seat to see how many in the audience were whistling!
I often say that there are two types of back ground scores in Tamil’Indian Films.(there are exceptions)
One is where you take some time to identify the original score.
The other one is blatant to an extent that at the instance of a few bars, you can fix the source.
Harris Jeyaraj unabashedly lifts the back ground score of ‘Bourne Ultimatum!’
Locales, Editing are good without being intrusive,
This is probably a film of Vijay where the Love part is so meager and so detached you practically feel nothing despite the efforts of the girl to expose herself.
Viay has done an excellent job as an Army Man.
Dance, the forte of Vijay, is as expected of him.
Do I detect a stiffness in his limbs while dancing?
His sardonic expression while fighting the Sleepers in an effort to rescue the girls is refreshing.
Where is the famous Vijay’s mischievous Twinkle in his eyes?
A film that does not disappoint Vijay’s fans and Murugadoss buffs.
A good entertainer.